Συμμετεῖχα μὲ ἀνακοίνωση ὑπὸ τὸν τίτλο: Musical Freedom and Ecclesiastical Rules at the Εcumenical Patriarchate of Constantinople during the 18th century.
Νὰ σημειωθεῖ ἐπιπλέον ἐδῶ ὅτι ὀργάνωσα καὶ ἡγήθηκα ὁμίλου Ἑλλήνων συναδέλφων, μαζὶ μὲ τοὺς ὁποίους καὶ μετείχαμε στὸ παραπάνω συνέδριο ὡς ἑνιαία ἐρευνητικὴ ὁμάδα· ὁ ἐν λόγῳ ὅμιλος ἀπετελεῖτο ἀπὸ τοὺς ἑξῆς συναδέλφους ποὺ εἰσηγήθηκαν, ἀντίστοιχα, τὰ ἀκόλουθα παρεμφερῆ θέματα: Dimitrios Balageorgos: Jacob the protopsaltes and his contribution to the evolution of the Typikon (Ritual) of the Great Church of Christ / Thomas Apostolopoulos: Jacob the protopsaltes as a musician of ecclesiastical and secular music / Flora Kritikou: Attempts of notational reform: the case of Agapios Paliermos and Jacob the protopsaltes / Gregorios Anastasiou: Rules that are followed (or not) in the life and the work of Jacob the protopsaltes and their effects on the Psaltic Art / Michalis Stroumpakis: The abridgments of old compositions by Jacob the protopsaltes as a survival of the old church music tradition: presuppositions and rules / Vasileios Salteris: Jacob protopsaltes’ Doxastarion in light of previous compositions of Sticherarion: maintaining or breaking the tradition?
